Whether you need official property information to support permit applications or for buying and selling properties - below are links to some of our most common requests:
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View what types of building plans you can request a copy of and find out how to do it.
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Find out how to request the types of Regulation 51 statements for buying, selling or preparing a building permit.
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You may request a certificate of ownership for multiple needs. You may also use this link to find out who owns your neighbouring property for fencing purposes.
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Get written advice about whether or not your proposed building, works or land use needs a permit.
View maps, the planning scheme and amendments to the scheme
Can't find what you're looking for?
Progeny is a collection of dynamic works, spanning video, sculpture, painting, and digital media by Edwina Green. The works collectively highlight Green’s creative practice and research interests across recent years (2019-2023).
Progeny in its direct meaning is to be ‘the descendants of a person, animal or plant; offspring’ and pulls from the artists continued connectivity between ancestral lines, intergenerational discourse, and concurrence of being both ancestor and descendant.
Informed by her identity as a Trawlwoolway First Nations woman, motifs of weaving, hand harvested and sewn bags, kelp, spoken word, organic movements on canvas, images of home, and oysters communicate a delicate ancestral tribute, and the current dance in which Green is choreographing with her multidisciplinary, experimental practice.
Progeny interrogates introspection, historical association, vulnerability, and an ability to invest in the artist's practice with a sense of intentional curiosity and closeness.
Edwina Green, Oyster. Image by Jordan Halsall.
Pomegranate Cultural Group are thrilled to present a compelling performance highlighting the experiences of Iranian girls and women. With a unique blend of poetic and documentary perspectives, this play seeks to shed light on the injustices faced by women in Iran.
Showcasing the pivotal events that have transpired within the framework of the Iran Women's Movement over the past year. This movement has transcended geographical boundaries, gained global recognition and empathy well beyond the confines of their homeland.
At the core of the monologue lies the impactful slogan "Woman, Life, Freedom," symbolizing the triumph over oppression. This slogan serves as a guiding light, directing the production and enabling them to delve into Iranian women's strength, resilience, and courage as they navigate challenging circumstances.
Presented by: Pomegranate Cultural Group
Written by: Mohammad Rezaee Rad
Directed by: Ehsan Bayatfar
Acted by: Sadaf Monajemi and Sara Hakimi
Produced by: Nasibeh Irani
There is a legal process to enable the planning scheme to be amended. You can find the recent changes to our planning scheme below.
How the amendment process works
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Council meeting
Resolution to seek authorisation from the Minister for Planning to prepare and exhibit an amendment
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Authorisation may or may not be granted by the Minister for Planning, or may granted subject to conditions.
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Public exhibition
Opportunity for the public, and other key stakeholders, to make a written submission in support of, or objection, to the proposed amendment
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Council meeting
Consideration of all written submissions. Council must then decide to either:
- change the amendment in the manner requested
- refer submissions to an independent Panel for review
- abandon all or part of the amendment
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Panel hearing
Consideration of the submissions by an independent Panel, appointed by the Minister for Planning
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Council Meeting
Consideration of the Panel's findings and recommendations. Council must then decide to either:
- adopt the amendment (with or without changes), or
- abandon all or part of the amendment
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Submission of final adopted amendment by Council to the Minister for Planning for approval
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Minister for Planning approves or refuses the amendment
Approved amendments
To view all planning scheme amendments, you can:
- Download the list of all Manningham Planning Scheme amendments to find the number you need.
- Search for your amendment on the planning scheme amendment finder.
This exhibition is no longer showing in the Manningham Art Gallery.
Nani Puspasari is a Chinese-Indonesian visual artist based in Naarm (Melbourne). Her latest exhibition Childhood Cheeks, Grown-Up Madness is an emotive exploration that beckons viewers into the subtle interplay between innocence and experience.
The canvas unfolds as a vibrant narrative, with expressive paint strokes sharing tales of enthusiasm and introspection, while whimsical clay forms add a tangible layer to the storytelling. This artistic journey transcends mere observation, offering a profound reflection on the paradoxical nature of the path to adulthood.
The installation stands as an emotional proof to the delightful chaos inherent in the shift from carefree childhood to the intricate realities of grown-up life. It urges individuals to embrace the enduring beauty found in the inherent madness of growth and self-discovery, even within the complexities of life, creating a space for a heartfelt exploration of the multifaceted layers of personal evolution.
Image courtesy of the Arts Manningham. Photo by Charlie Kinross.
Taking its name from the unofficial description of the present day epoch which has seen human activity dramatically impact the earth's climate and ecology, this exhibition is the expression of four artists' efforts to record, reflect upon and potentially enact change in how humanity views and interacts with the world.
Shifting the Anthropocene features the work of Lesley Duxbury, Ruth Johnstone, Rosie Weiss and Stephen Wickham, who have variously photographed underwater ecosystems and stunning 400 year old eucalypts, and collected and drawn remnants of plants destroyed by bushfire, amongst other creative acts.
The works are descriptions of the immediate and personal effects of climate change as the artists have witnessed them. They also pivot to celebrate instances where individuals and communities have saved endangered species or enacted changes in environment laws through collective effort, thereby giving a hopeful and positive tenor to the exhibition overall.
Installation view of artworks by Lesley Duxbury. Photo by Charlie Kinross.
This exhibition is no longer showing in the Manningham Art Gallery.
Deborah White is a Melbourne-based artist who works across performance-based photography, video and mixed-media installations.
Everlasting Happiness entertains the utopian idea of love as a political concept. The underlying philosophy of this aspiration is to love the most distant. This is not a sentimental notion of love. It is a robust kind of love with a revolutionary power. Viewing the actions of love as a deployment of force, this work intertwines supernatural wonder with the spectacle of war.
The playful and vibrant performance-based video depicts an anarcho-mystic quest battling against the pathology of the post-truth world. Featuring fictitious characters that defy the rational world, the video is infused with flower power, music and animal warriors that open the heart to hope and joy. All the characters are performed by the artist—serving as a self-reflection on the internal struggle to love unconditionally. This work strives for the idealistic desire of a utopian non-place of the imagination. (Sound design is by Jamie Coghill.)
Video still from Everlasting Happiness (2023).
HD digital video, 11:15 mins, 1 or 3 channel, looped, variable dimensions.
Image courtesy of the Artist.
A Fragment of the Infinite Magnificence, explores connections between our private worlds and nature through dreamlike, intimate, interior scenes. A conveying of otherworldly moments that may not be perceived thoroughly by seeing, hearing, smelling, touching, and/or tasting.
“I want to take a part of it home, frame and keep it forever at the corner of my heart, inside my mind, in front of my eyes, or rather, become one with it. I am now reflecting a fraction of all that greatness. Anyone who looks at me will see her and her glory and beauty. Now we are one. She is in my home and, I am in hers. She has always been my haven.” - Zahra Marsous
Zahra Marsous (b.1987 Tehran, Iran) is a visual artist based in Melbourne, Australia. She was awarded a BA in Painting from Tehran University of Art in 2010 and a Diploma in Painting from the Visual Art School in Tehran.
Zahra has held several solo exhibitions in Iran and Australia and participated in numerous group exhibitions, festivals, and biennials. She is interested in the female form and its relationship to nature, emotions, and feelings.
Photo by Charlie Kinross.
Manningham Art Gallery is excited to present Gosia Wlodarczak's A Space of Facial Deconstruction.
Over a five-day onsite performance, Gosia will create a large-scale drawing installation spanning across the interior of Gallery One.
The gallery environment and self-portraits submitted by Manningham residents are translated into shapes through Gosia’s senses. In a continuous process of meeting, overlapping and collision - in endless movement, the ongoing change and exchange will create a drawing installation over the period of the performance.
The result will be a stunning group portrait of the Manningham community.
View the performance
- Visit the gallery between 11.00am to 5.00pm from Tuesday 29 November to Saturday 3 December to watch Gosia's drawing performance
View the completed artwork
- Visit the gallery during regular opening hours up from Wednesday 7 December to Saturday 17 December to see the completed artwork.
During your visit to the gallery, you can also explore A Fragment of the Infinite Magnificence by Zahra Marsous in Gallery Two.
For further information on submitting your self-portrait and getting involved, please visit Gosia Wlodarczak: A Space of Facial Deconstruction.
Photo Credit: Longin Sarnecki
The Unfinished Business exhibition reveals the stories of 30 First Nations people with disability.
Their deeply personal stories are complex and intertwined with Australia’s political and social history, which has resulted in today’s unacceptably high rates of disability in Australia’s First Nations communities. This was a collaborative project between participants and Artist and Social Documentarian, Belinda Mason Knierim OAM.
With thanks to Australian Museum for loaning Unfinished Business to Manningham.
Warning: First Nations Peoples should be aware that this exhibition contains images, voices, or names of deceased persons.
Image: Standing Tall, Uncle John Baxter, Latja Latja/Narungga man. Board Member Reconciliation Victoria and First Peoples Disability Network, Aboriginal Partnership Coordinator - Brotherhood of St Laurence / NDIS. Photo by Belinda Mason Knierim OAM from the series Unfinished Business. Image courtesy of the Artist.
If you require access supports to attend this exhibition, please contact our Community Strengthening team on 9840 9333 or at manningham@manningham.vic.gov.au. Auslan interpreters should be booked as early as possible.
Calling all people from multicultural backgrounds in Manningham and surrounds!
Come and learn more about the importance of looking after your mental health and wellbeing, and the support that is available in your local community.
Our next Strength Through Connection event is a forum on Mental Health and Multicultural Communities as part of national Mental Health Week.
This event will feature:
- specialists in multicultural mental health
- a panel of experts
- local mental health and wellbeing service providers
- plus the launch of Manningham Council's mental health services webpage by Mayor Michelle Kleinert
Mental health is a key component of overall health and well-being. 1 in 5 (21.4 per cent) Australians aged 16 to 85 have experienced a mental disorder in the past 12 months.
Many people may not be aware of what poor mental health means, how to support someone or how they can get help. The individual needs, backgrounds and identities of people can impact how, or even whether, they will seek support.
We will have a broad range of speakers who will provide information about:
- types of mental health issues
- stories of lived experience
- what treatments are available
- how can you support someone
- how to get help
- hope for recovery
We look forward to seeing you there!
Manningham Art Gallery presents two exhibitions of tactile, abstract works that recontextualise commonly encountered materials, celebrating the everyday and unpredictable process driven experimentation.
Anni Hagberg’s Trace Encounters employs foraging practices, ceramic processes, and experimental installation to explore uncertainty as a contemporary human condition.
Rejecting linear understandings of progress, foraging practices embody a sense of agnostic curiosity. Opportunistically engaging materials, which present themselves within the environment through the process of being discarded by one and found by another, foraging encourages lively interaction with the environment.
Rhys Cousins work homes in on otherwise ordinary and ignored surfaces that one might expect to encounter on any given day. It acknowledges life as complex sensory jigsaw, but deliberately strips away the smells, sounds, language, and colour of that puzzle to explore only touch and the external physical qualities of the myriad materials that make up the urban places we live.
Examining the importance of touch as a physical and emotional experience - helping us to make sense of the world, the work also highlights how texture is made as much through presence as absence, with the solid bumps and ridges in a surface playing as great a role in creating its overall texture as its voids, crevices, nooks, and cracks.
Cousins and Hagberg’s works are activated across Gallery 1 and 2.
Installation View, Manningham Art Gallery, March 2022. Photo by Charlie Kinross.
Join us and learn more about new public art in Doncaster and take part in an all-ages art activity.
As part of the Ayr St South shopping strip upgrade, a ground mural will be designed and installed by artist Tom Civil.
Tom will share his designs at Greythorn Bowls Club in an information session for the community, where you can meet the artist and discuss his ideas.
The information session will be followed by an all-ages art activity, where you will design your own footpath mural. Use the materials provided to work collaboratively, or own your own to create an artwork for your street.
- Information session / meet the artist: 11.00am to 12.30pm
- Art Activity: 1.00pm to 2.30pm
Morning and afternoon tea will be provided
About the artist
Tom Civil is an artist, muralist, community art facilitator and printmaker.
Tom has been making art in the streets of Melbourne for over 18 years, and has painted over 30 commissioned murals across town in the last ten years.
Tom's ground artworks reference through the language of mapping and symbology, our connection to nature in a heavily urbanised and concrete and asphalt covered world. The ground artworks also allow us to day-dream about how the places we live were in the past, and how they could be in the future. They also create fun interactive play moments in our daily lives.
Photo by: Nathan CCP
Warning: First Nations Peoples should be aware that this exhibition contains images, voices, or names of deceased persons.
Held as part of Manningham's annual National Reconciliation Week program, Serving Country is an exhibition that recognises and acknowledges the valuable contribution of Australian First Nations servicemen and servicewomen who have served, or are serving, in the Australian Defence Force.
For more than a century, First Nations Australians have had a long and proud history of serving in the defence of our nation in many theatres, from South Africa to the present day. Exact numbers are not known of how many First Nations Australians men and women served our nation, as official defence policy in the first half of the twentieth century was aimed at excluding the enlistment of persons “not substantially of European origin or descent”. The fact that they served at all at a time when they were denied the basic rights of citizenship is significant – a situation not fully corrected until the 1970s.
The Serving Country photographic exhibition shares the lived experiences of Australian First Nations families and individuals who have proudly served and continue to serve in Australia’s Defence Force.
Many returning veterans are still living with the trauma of their experiences in the battlefield. Serving Country serves as a platform for sharing stories, both inspiring and devastating, of courage and mateship. Sharing stories plays a vital and healing role in Australian First Nations culture.
Serving Country is the creative work of Sydney-based human rights social documentarian and Creative Director of Blur Projects, Belinda Mason and videographer Dieter Knierim. There are currently over 200 photographed portraits printed on brushed aluminium 60cm x 40cm panels and continues to grow.
Installation view, Manningham Art Gallery. Photo by Charlie Kinross.
Artist Paul Handley’s Pillars of Déplacement traces his journey through the migrant settlement camps of Europe to the island shores of Lesbos, variously between 2016 and 2019, a period of social and political flux for the region. Geopolitical tensions and conflict at this time in countries including Syria and Afghanistan led to the displacement of thousands of people who were forced to seek refuge in foreign lands.
Despite it being a fundamental human right to seek asylum, this flow of refugees destabilised social fabrics across multiple communities and led to a wave of resistance from governments and local communities in the areas where the refugees sought asylum.
This exhibition represents the artist’s firsthand experience of this tension through a collection of documentary images, objects and artworks that stand as symbols hope, such as his sculptures inspired by the life-jacket graveyards of Lesbos. The exhibition acts as an artistic shrine to all the displaced and lost across the globe and throughout history, spurring reflection on migration and people movement and the ramifications it has on communities and countries.
Exhibition opening
Featuring opening remarks from Manningham Mayor Cr. Andrew Conlon, as well as Paul Handley in conversation with Manningham Art Gallery curator, Davey Warnock.
When: Saturday 17 April, 2.00pm to 3.30pm.
Cost: This is a free event but places are limited.
Artist talk
Join Paul Handley for a conversation about his experiences travelling through the migrant camps of Europe and the process of translating those experiences into artworks.
When: Thursday 22 April, 11.00am to 12.00pm.
Cost: This is a free event but places are limited.
Portable Protest Pod - workshop for youth (13-18yrs)
In this workshop for secondary school-aged youth, participants will discuss the history of protest and the art of creating impactful signs and performances.
When: Saturday 1 May, 3.30pm to 5.30pm.
Cost: Tickets are $5 per person. Places are limited.
Image: Paul Handley, Pillars, 2021, wallpaper pigment print, 240 x 360cm.
More Information
Manningham Art Gallery
Located at the entrance to MC Square, Manningham Art Gallery presents a diverse range of contemporary art exhibitions and related public programs throughout the year. See all upcoming exhibitions.
We’ve opened our final exhibition for the year!
Showcasing moving image artworks by Australian artists, this exhibition celebrates ACMI’s vibrant collecting and commissioning program.
Come and see the exciting new works at Manningham Art Gallery, Doncaster. Open until February 2024.
Ngura Pukulpa - Happy Place by Kaylene Whiskey
Yankunytjatjara artist Kaylene Whiskey envisions a world where pop culture collides with traditional Anangu culture.
Analects of Kung Phu: Book 1, The 69 Dialogues between the Lamp and the Shadow by Jason Phu
Jason Phu presents us with a guide for surviving contemporary life through the lens of martial arts films.
The Gods of Tiny Things by Deborah Kelly
Deborah Kelly’s kaleidoscopic video unleashes a vivid collage of animated figures and landscapes cut free from the pages of old magazines and encyclopedias to explore the threats of extinction and the climate crisis, the tolls of colonialism, and the global political shift to the right.
The Beehive by Zanny Begg
The Beehive is a non-linear experimental documentary exploring the unsolved murder of Sydney anti-development campaigner Juanita Nielsen.
Gaps by David Rosetzky
Gaps embodies Rosetzky’s ongoing exploration of personal identity and the relationship – or ‘gaps’ – between self and other through speech, movement and dance.
Bayi Gardiya - Singing Desert by Dr Christian Thompson AO
Open on Thursday 1 February and Friday 2 February 2024 from 10.00am to 2.00pm at Doncaster Library. To experience this 360-degree work, please visit the Creative Lab located on the mezzanine floor of Doncaster Library, accessible via the lift in the junior area. There will be a staff member there to assist. Suitable for all ages.
In this 360-degree video experience, Christian Thompson invites audiences to walk through the landscape of his childhood where they witness a simple yet profound aesthetic gesture of the artist singing in his traditional Bidjara language, a recognised lost language.
Photo caption: Kaylene Whiskey, Ngura Pukulpa – Happy Place, 2021. Between the Details: Video Art from the ACMI Collection. Image courtesy of Kaylene Whiskey and Iwantja Arts.
Photo: Max Mackinnon
An ACMI touring exhibition
The works in this exhibition are commissioned by ACMI, Artbank, Bundanon Trust, Carriageworks, City of Melbourne, Melbourne Art Foundation, Professor Cav. Simon Mordant AO and Catriona Mordant AM, John Allsopp (Web Directions) and assisted by the Australian Government through the Australia Council for the Arts.
With a vibrant food and art culture with a touch of history, Manningham is a special place to be. Retaining many of its cultural links, there’s something for everyone in Manningham: from sacred sites of the area’s First Peoples to the early gold mining settlements.
Local government
Local government in the area dates back to the election of the Templestowe District Roads Board in 1856. The first meeting of the Board was at Upper Yarra Hotel, Templestowe.
Proclamation that the Shire of Doncaster and Templestowe took place on 28 February 1967. Up until 15 December 1994, Doncaster and Templestowe Council administered the area until the creation of the City of Manningham. The new city included Doncaster, Templestowe and small sections of the Shire of Lilydale. Wonga Park and part of north Ringwood also became part of Manningham. Three State Government appointed commissioners managed the city until 24 march 1997 when 8 councillors were sworn into office.
Our First Nations heritage
You can see the rich cultural heritage of the area through local landmarks and places of significance. First Peoples have been in Victoria for over 30,000 years and we can still see evidence of the Wurundjeri Woi-wurrung presence in Manningham.
The European influence (mid 1800s)
From the mid-1800s, European settlement began in Manningham with the earliest building constructed in the 1840s. We still have plenty of places of heritage significance where visitors and locals can explore and admire.
Our suburbs
Each suburb in Manningham has its own unique characteristics and are wonderful places to live and visit.
Your local business is critical to our vibrant and thriving economy. Find permits, guides, news and other resources for starting a new business, running existing businesses, or growing your business.
For your business
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Starting a new business is both exciting and challenging. Find permits, guides, news and other resources for starting a business.
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Running a business from home can be a perfect way to balance family commitments. Or you might be starting out and wanting to minimise overheads. We have resources available to help your home based business.
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Find out if you need a footpath trading permit when placing tables and chairs, displays and signs on our footpaths.
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Find out which permits and registration you will need to set up a hairdressing, beauty salon, day spa, make-up business or gym.
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Find out what the mandatory requirements are for setting up a food business, whether it's a café or homemade preserves.
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Find out if you need a permit for your business. This includes new and existing businesses and those looking to expand.
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Find out what the regulations are for operating an accommodation business in Manningham, including hotels and bed and breakfasts.
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We've compiled a list of useful websites and tools to help guide you through the essential steps of setting up and running your small business.
Our strategy
Our Economic Development Strategy (EDS) is a six-year plan to support businesses and employment in Manningham.
Find Your Local
Find Your Local helps our community discover and explore the many unique products, services, food experiences and outdoor adventures that are all here in Manningham.
Follow us on Instagram @findyourlocalmanningham and send us details of your business so we can feature you on our page!
How can we help?
The Economic Development team is here to support you setting up and growing your business. We are your point of contact for business enquiries and support, permit information, workshops and events.
Contact us at business@manningham.vic.gov.au or on 9840 9333.
Stay in the loop
Subscribe to our monthly eNews to receive the latest business news, tips, upcoming events and networking opportunities.
Follow our Manningham Business Facebook page.
Get the latest from Manningham Business
The Manningham Business E-News is distributed monthly. It is a great way to stay up to date with local business news and to see what events are happening in Manningham.
Subscribe to our monthly E-News
Get guidance on popular topics like removing trees or building fences to understand land-use, planning, building and infrastructure needs. You can also find links to important mapping and planning resources.
New to property and development?
Get familiar with the general permit process with our when do you need a permit guide.
View maps, the planning scheme and amendments to the scheme
View by topic
Trees
Find out how to remove a tree or report issues with a tree on public land.
Fences
See what's required when building or replacing a fence.
Swimming pool and spas
Understand what's needed when you have a pool or spa.
Septic tanks
Find out about connecting to sewer and installing, removing or decommissioning a new septic tank.
Heritage listed properties
Get advice and find heritage listed properties in Manningham.
Development guides
These guides below may help you with planning your development:
Build sustainable properties
View a range of links to advice and resources on things that will assist you in building a sustainable property.
Build safe properties
View a range of links to advice and resources on things that will assist you in building a safe property.
Prepare your property for emergencies
View resources to help you prepare your property for various types of emergencies like bushfires, floods and storms.
JamFactory ICON Angela Valamanesh: About being here is Angela Valamanesh’s exploration into the interconnectedness of life on earth – between human, animal, and plant beings. This life view, first felt intuitively by the artist; is reinforced through her ongoing research at leading libraries and scientific institutions both in Australia and abroad.
“I believe that art like science can help teach us about who we are, what we are made of and in doing so show us the importance of recognising that we are part of a whole.” Angela Valamanesh
Inspired by the symbiosis between science and poetry, Angela Valamanesh’s artworks elicit intrigue and a strong sense of personal investigation as she manipulates seemingly familiar anatomical, botanical, and parasitic forms in beguiling and unusual ways.
Primarily known for her biomorphic ceramic sculptures, this exhibition also celebrates the artist’s evocative drawings, watercolours, and mixed media works from her developing style of the late 1990s until present.
Historically, links have been made between the human form and plant species, not only structurally but also through language: the family tree, our roots, or a severed limb, while early medicine made connections between plants that resembled parts of our bodies and their therapeutic effects on those body parts.
About the exhibition
JamFactory’s Icon series celebrates the achievements of South Australia’s most influential artists working in craft-based media.
JamFactory ICON Angela Valamanesh: About being here will tour to 14 venues nationally and is accompanied by a 40-page catalogue featuring images by Michael Kluvanek with essays by Dr. Mike Lee and Wendy Walker.
Other public programs
Artist Talk with Angela Valamanesh
Saturday 3 September, 2.00pm to 3.00pm.
Free event.
Find out more and register online.
Ceramics Workshop with Holly Phillipson
Available sessions:
- Friday 2 September, 10.30am to 1.30pm
- Saturday 3 September, 3.00pm to 6.00pm
Tickets: $40 general admission, $30 concession.
Find out more and book online.
About the artist
Angela Valamanesh was born in Port Pirie, South Australia in 1953 and currently lives and works in Adelaide. Angela holds a Diploma in Design in Ceramics from the South Australian School of Art (1977), a Master of Visual Arts from the University of South Australia (1993), and a PhD from the University of South Australia (2012).
Her drawings, ceramic objects, and watercolours are the result of an incredible depth of research, referencing complex scientific, historic, and philosophical ideas. Angela’s imagery stems from micro- and macro- biology, historical anatomical and botanical illustrations, natural history collections, and rare books.
Valamanesh’s oeuvre is populated with the animal, vegetable, and mineral with glimpses of microbes, bacteria, pathogens, and spores. Valamanesh’s works elicit ambiguity and present a strong sense of personal investigation. In the artist’s own words:
“It is important that the work is not prescriptive but offers the viewer the opportunity of personal engagement with the work and time to reflect on their own personal experiences.”
Instrumental in Valamanesh’s bourgeoning visual arts practice was her Samstag Scholarship undertaken at the Glasgow School of Art. This residency resulted in the seminal work For a long while there were only plants, 1997, and is the point of departure for this exhibition. This artwork – a watercolour, pen and ink work on paper and dipped in wax – is a repository for images and ideas that have fuelled Valamanesh’s practice ever since.
Presenting partner
JamFactory
JamFactory ICON Angela Valamanesh: About being here is a JamFactory touring exhibition.
Government partners
Australia Council for the Arts
The Visual Arts and Craft Strategy
Department for Innovation and Skills
JamFactory ICON Angela Valamanesh: About being here has been assisted by the South Australian Government through the Department for Innovation and Skills and the Australian Government through the Australia Council for the Arts, Contemporary Touring Initiative.
Angela Valamanesh acknowledges the assistance of the Australian Government through the Australia Council for the Arts.
Angela Valamanesh is represented by GAG PROJECTS, Greenaway Art Gallery, Adelaide and Gallery Sally Dan-Cuthbert, Sydney.
Photo credit: Michal Kluvanek.